AMBIENCE is Big Round Records’ latest release from composer Joe Hume. After a decade of working exclusively as a professional pianist, Hume has returned to composing in a big [...]
The Inside Story: Joseph Summer and The Shakespeare Concert Series
MUSIC TO HEAR, Joseph Summer’s follow up to WHO IS SYLVIA from Navona Records off his Shakespeare Concerts set, is the result of the composer’s lifelong obsession with poetry. The [...]
We recently caught up with violinist and Navona Records artist Thomas Bowes. Tom is one of the UK’s finest violinists – as a soloist, chamber musician, concertmaster and artistic [...]
In HEARING VOICES, his third album of electronic music with Ravello Records, Jeff Morris captivates the psyche with music that is equal parts space age and primeval. With Morris’s [...]
GRAMMY-winning chamber choir The Crossing is back with their latest installment in a multi-album series with Navona Records. CARTHAGE comes on the heels of the 2020 GRAMMY-nominated album THE [...]
We recently caught up with Canadian composer and longtime Navona Records artist Jan Jarvlepp. Known for his neo-tonal style and rejection of the avant-garde modernism that he was trained [...]
Svjetlana Bukvich is a composer, performer, and multimedia artist, who first came to the United States to pursue graduate studies, and was awarded one of the first MFA degrees [...]
The Inside Story: Alicia Terzian and her Violin Concerto
The creation of VIOLIN CONCERTO by Argentine composer Alicia Terzian marked the beginning of her 65-year (and counting) compositional career. Originally composed in 1954-55, this important piece of her [...]
Photo by Julie Lemberger The Canadian-American duo of flutist Zara Lawler and marimbist Paul J. Fadoul, hailed as “a great treat” (Classical WETA, Washington DC), offers audiences an unexpected mélange [...]
The Inside Story: Hilary Tann’s And the Snow Did Lie
AND THE SNOW DID LIE, composed by Hilary Tann and performed by the Sirius Quartet, is available now from Navona Records. The powerful combination of Tann’s expressive lyricism and [...]
